“The channel will operate in progressive mode at 50 frames per second, transmitting in the MPEG-4 format at 40Mbps in four Quad HD (2160p) streams.”
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“The channel will operate in progressive mode at 50 frames per second, transmitting in the MPEG-4 format at 40Mbps in four Quad HD (2160p) streams.”
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“AMSTERDAM – The emergence of MPEG Dash as a standard for streaming Internet video has reached a milestone of sorts as it is being tested by Google on Chrome in a limited program…”
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I recently had the pleasure of taking part on a panel session on the subject of MPEG DASH at Streaming Media Europe in London. I was joined by Cornelia Patzlsperger, Interactive Solutions, Interlake Media GmbH; Alex Zambelli, Media Platform Evangelist, Microsoft; and Tristan Leteurte, CEO, Anevia, to discuss MPEG DASH’s key features, its rate of adoption, the challenges for a wider adoption and the opportunities and impacts on adaptive streaming.
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“H.264/MPEG-4 Part 10 or AVC (Advanced Video Coding) is a standard for video compression. It has rapidly become one of the most popular high-quality codecs for video delivery on a wide variety of platforms.”
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“Chiariglione said he believed DASH would become the universal transport for digital video and audio over the internet. ‘It might not yet be the delivery system for broadcasting, but increasingly so and therefore I think DASH will be the means of transport and the coding layer will be MPEG-1 or MPEG-2 or MPEG-4. One day it will happen, when that day will be is a different question.’”
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“AMSTERDAM – After two years of work on standards, MPEG-Dash, a new industry format for streaming video, is being “productized” by Qualcomm, says Thomas Stockhammer in this interview with Beet.TV”
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“The talk at IBC was about MPEG DASH and HEVC, and that talk grew louder and angrier as the conference went on. Will standards lead to the end of the world as we know it?
It came as no surprise to anyone working in our industry that MPEG DASH and HEVC were the talk of this year’s IBC in Amsterdam — at least in the Connected World area of the show in Hall 14, in which IBC cordons off those of us whose interest in the synergy between broadcast and online comes firmly from the online angle.
What was a bit surprising, however, was the degree to which both the DASH delivery scheme and the HEVC codec (also known as H.265) were discussed as faits accomplis and debated as either “it’s about time” standards or a combined one-two punch that would be the death knell of innovation in the online video technology space. As Tim Siglin wrote in his post-event briefing, both were the subjects of show-floor discussions and Amsterdam-fueled late-night shouting matches, more intense than previous years’ discussions of, say, HTML5 or H.264 — the former of which was held in cautious regard as a passing fad, the latter of which seemed like a well-deserved chance to take a break from what had seemed like a codec war that was never going to end.”
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“Microsoft is committed to the new video streaming standard MPEG DASH and is integrating it into Azure Media Services, its line of cloud-based media services, says Sudheer Sirivara, director of media services for Microsoft, in this interview with Beet.TV”
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Thomson Video Networks has teamed up with VisualOn to provide MPEG-DASH video delivery to connected devices.
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Last year’s MPEG standards buzz was around DASH (dynamic adaptive streaming over HTTP) which provides a standardized way to segment H.264-based MP4 files for fragmented delivery. This year’s end-of-year buzz may very well be around the high-efficiency video coding (HEVC) codec set to replace H.264.
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